导演：埃里克·冯·施特罗海姆
主演：萨姆·德·格拉斯 Francelia Billington 埃里克·冯·施特罗海姆 Fay Holderness Richard Cumming
迷踪之国Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
赵英龙 马驰 王鹤贺
宋沐心 赵天洋
宋仲基 李熙俊 权海骁 朴智焕 克里斯特尔·阿帕里西奥 Christian Larson Andrew Gonzalez André Lopes
未知
王千源 冯绍峰 王丽坤 张俪 邵兵 鞠婧祎 陈国坤 梅尼耶 石兆琪 李强 陈特
河合优实 金子大地 宽一郎 新谷柚实 中岛步 唐田英里佳 涩谷采郁 涩谷麻美 仓田萌衣 伊岛空 堀部圭亮 渡边真起子
合文俊 孙越 尹菲 曹然然 李飞 王喳喳 吕严 马旭东 林墨 鹏程 刘洋 张泰维 德柏 杜晓宇 方向 夏淳 任志达 邢三狗 天蕾大哥
Christina Fernandes Lopes Luisa Binger
加布里埃拉·赛顿 玛丽亚·维拉 María Inês Gonçalves 奥古斯丁·穆尼奥斯
李世龙
万芳 蔡宝珠 郑人硕 俞宏荣 陈俐杏 王竣
普提蓬·阿萨拉塔纳功 乌萨·萨梅坎姆 莎琳拉·托马斯 三亚·库纳康 邦沙敦·宗威拉克 彤达婉·奔提维此弓 当蓬·欧阿披叻 西玛瓦理·塔利吉
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